Death means restarting your run, but there’s a chapter system that tracks progress in a more meaningful way than Dead Cells. You play as a Ghost Rider-like recently deceased gunslinger (voiced by Ron Perlman) who has no memory of how he’s ended up in this hellish purgatory, but finds out more about why he’s there and who’s responsible for it as you get deeper into the game. For starters, it’s an isometric twin-stick shooter, albeit less in the vein of the nuclear body count of Helldivers.
And that’s exactly what West of Dead has done in terms of its gameplay foundation, albeit with enough new stuff to mean it doesn’t feel like a clone. You could do a lot worse than being inspired by Dead Cells, one of the best roguelikes released in recent years. It’s a lot easier for newcomers to test the competitive Siege waters these days, and if you’re on the fence about playing it, wait for one of the regularly occurring free weekends to take it for a spin.
This truly is the thinking player’s shooter, which is underlined by a potent combo of fantastic sound design, epic levels of tactical destructibility, and an asymmetrical roster of attacking and defending Operators, which are all packing unique gadgets or abilities. But because of the tactical nature of Siege, even a fragged teammate can be useful for watching cameras and providing intel to those still alive. Four times a year, the Siege community is gifted with major content drops in the form of new or revamped maps, plus new playable Operators that can be unlocked with earnable in-game currency.Īt its core, Siege is a high-lethality shooter where everyone is a headshot away from sitting out the round. Sure, it’s a game that was originally released in 2015, but it’s become the go-to example of how to successfully handle the tricky live-service model of gaming. It’s damn near criminal that we haven’t included Rainbow Six Siege in this list earlier.
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